Thanks Ash! Embracing the Magic of Cyanotype at Borrowed Bones

I’ve recently discovered the astonishing art of cyanotype, a fascinating photographic printing technique that creates distinctive blue-and-white prints. I’d like to give a huge shoutout to Ash at Borrowed Bones for introducing me to this remarkable real-time photo imagery technique.

The cyanotype process, invented in 1842 by English astronomer and scientist Sir John Herschel, became popular in the 19th century as an affordable and straightforward method for making copies of drawings, architectural plans, and other documents. Engineers and architects frequently used it, giving rise to the term “blueprints.”

In the 1840s to 1860s, early photographers like Anna Atkins adopted the cyanotype process to create striking botanical photograms. Atkins’ work, including her book “Photographs of British Algae: Cyanotype Impressions” published in 1843, showcased the artistic potential of cyanotypes.

Throughout the late 19th and early 20th centuries, photographers and artists like Edward Steichen and Alfred Stieglitz continued to experiment with and refine the cyanotype process. This technique saw renewed interest in the 1970s, and contemporary artists such as Christina Brodie, Mike Ware, and Chris McCaw have since pushed the boundaries of this medium, creating bold and innovative works of art.

Today, cyanotypes remain popular among both traditional and experimental photographers and artists who appreciate the distinctive Prussian blue colour and the hands-on process of making these prints. The cyanotype process continues to play an important role in the history and evolution of not only photographic art, but general principles of chemistry and light in art.

Thanks to Ash, I’ve had the opportunity to explore this incredible technique and join a long line of artists and photographers who have been captivated by the beauty and potential of cyanotypes.

Check out Ash’s amazing jewellery work at Borrowed Bones.